Nope, Jordan Peele’s third feature film, surpasses $100 million in domestic box office sales, a massive and rare achievement. Nope, Jordan Peele’s newest blockbuster horror movie has reached a significant milestone at the domestic box office. This July, three years after his sophomore effort, Us, the comedian’s third feature film surprised and divided audiences.
Peele’s debut feature, Get Out, has been hailed as a landmark horror film for the modern age and established his unique style. The numerous Easter eggs, social commentary, and terrifying plot of Nope preserve Peele’s method, even though the film is a vastly different experience.
In the movie, the characters are confined to an isolated environment where they see something unexplainable. Along with Peele’s techniques, the film’s box office revenues have remained consistent throughout three wildly different films. Both Get Out and Us grossed around $255 million at the global box office at the end of their theatrical cycles.
Also, Us outperformed Get Out in opening weekend metrics. Before leaving theaters, both films made around $175 million domestically, though the Us spent significantly less time in theaters. The box office earnings of Nope were approaching the $100 million mark until just recently.
Nope has officially crossed the $100 million gross revenue mark at the domestic box office, according to Fandango and Rotten Tomatoes’ Erik Davis. The achievement also makes Peele one of the “rare” writer-directors whose first three films have reached this milestone.
Nevertheless, Peele accomplishes this feat with every R-rated film. Peele’s accomplishments are impressive, especially considering that he released three age-restricted titles with atypical concepts. The box office success of Nope’s films proves that his divisive and buzz-worthy style appeals to theatergoers.
While Nope was marginally more successful than its predecessors, it failed to cross $100 million. Domestically, Get Out took 16 days to reach the mark, while Us took eight days. Nope’s shape-shifting alien creature faced stiff competition from Thor: Love and Thunder, Minions: The Rise of Gru, Top Gun: Maverick, and others, compared to Captain Marvel, Us’ most persistent rival.
Despite being up against The Lego Batman Movie, Logan, and Kong: Skull Island, Get Out managed to hold its own admirably. The box office performance of Nope may have been the slowest of the director’s three films, but it is still impressive considering the density of popular blockbusters that were released within the same timeframe.
Peele’s work has all been complex horror-thrillers with hints of classic Hollywood films and culture, which makes them even more iconic. Since Marvel, DC, and Disney began dominating the cinematic market, original concepts have historically had difficulty performing well in theaters. However, Peele’s allure is undeniable. It remains to be seen if Nope will become one of Peele’s highest-grossing films once it reaches all international theaters.
Dakota Cameron is a seasoned web content writer and covers the Hollywood movies for the MovieThop Website
Ms. Cameron began his professional life as a freelance blogger. Later, he worked for Witbe as a content writer for two years. His interests include blogging, reading, movies and travel.
Ms. Cameron graduated in Journalism and Mass Communication from University State of Georgia University. He is fluent in French, Spanish, and other languages.